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Picasso: The Late Work. From the collection of Jacqueline Picasso
March 9 to June 16, 2019

Pablo Picasso (1881-1973) is considered to be the reinventor of art in the twentieth century. He set new standards in painting, sculpture, the graphic arts, and ceramics. Less well known are the works Picasso created in the final two decades of his life when he painted more portraits of his wife Jacqueline than any of his other models.

Through the exhibition Picasso: The Late Work, it will be evident how Picasso keep being an innovator until the very end of his artistic production. All loans come from the collection of Jacqueline Picasso (1927-1986). Her daughter Catherine Hutin has made this rarely-seen collection available to the Museum Barberini show. The works were selected by guest curator Bernardo Laniado-Romero and include numerous pieces which have never before been exhibited in Germany as well as some presented for the first time.

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Pablo Picasso, Madame Z (Jacqueline with Flowers), 1954, oil on canvas, Collection Catherine Hutin © Succession Picasso/VG Bild-Kunst, Bonn 2019. Photo: Claude Germain

Pablo Picasso, Madame Z (Jacqueline with Flowers), 1954, oil on canvas, Collection Catherine Hutin © Succession Picasso/VG Bild-Kunst, Bonn 2019. Photo: Claude Germain

Pablo Picasso (1881-1973) is considered to be the reinventor of art in the twentieth century. He set new standards in painting, sculpture, the graphic arts, and ceramics. Less well known are the works Picasso created in the final two decades of his life when he painted more portraits of his wife Jacqueline than any of his other models.

Through the exhibition Picasso: The Late Work, it will be evident how Picasso keep being an innovator until the very end of his artistic production. All loans come from the collection of Jacqueline Picasso (1927-1986). Her daughter Catherine Hutin has made this rarely-seen collection available to the Museum Barberini show. The works were selected by guest curator Bernardo Laniado-Romero and include numerous pieces which have never before been exhibited in Germany as well as some presented for the first time.

Pablo Picasso, Madame Z (Jacqueline with Flowers), 1954, oil on canvas, Collection Catherine Hutin © Succession Picasso/VG Bild-Kunst, Bonn 2019. Photo: Claude Germain

Pablo Picasso, Madame Z (Jacqueline with Flowers), 1954, oil on canvas, Collection Catherine Hutin © Succession Picasso/VG Bild-Kunst, Bonn 2019. Photo: Claude Germain

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Artists from the GDR: Works from the Museum Barberini Collection
November 17, 2018 to February 2, 2020

One focus of the Museum Barberini’s collection is on paintings by artists from the former East Germany. Over the course of one year, we will be presenting four themes in our Barberini Collection series. All works from this part of the collection will be on display in the fall of 2019.

The themes are Aspects of Painting (beginning October 17, 2018), Modern History Painting (beginning March 9, 2019), Melancholy and Painting (beginning October 26, 2019), and Landscapes (beginning October 26, 2019).

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Stefan Plenkers, View Through a Room, 1983, oil on canvas, 120 x 110 cm, Museum Barberini

Stefan Plenkers, View Through a Room, 1983, oil on canvas, 120 x 110 cm, Museum Barberini

November 17, 2018 to February 2, 2020

One focus of the Museum Barberini’s collection is on paintings by artists from the former East Germany. Over the course of one year, we will be presenting four themes in our Barberini Collection series. All works from this part of the collection will be on display in the fall of 2019.

The themes are Aspects of Painting (beginning October 17, 2018), Modern History Painting (beginning March 9, 2019), Melancholy and Painting (beginning October 26, 2019), and Landscapes (beginning October 26, 2019).

Stefan Plenkers, View Through a Room, 1983, oil on canvas, 120 x 110 cm, Museum Barberini

Stefan Plenkers, View Through a Room, 1983, oil on canvas, 120 x 110 cm, Museum Barberini

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Baroque Pathways: The National Galleries Barberini Corsini in Rome
July 13 to October 6, 2019

The Museum Barberini will be presenting 54 masterpieces from the collections of the Palazzi Barberini and Corsini Rome, including one of Caravaggio’s most important works, his 1589/99 painting Narcissus. During his pontificate as Pope Urban VIII in the 17th century, Maffeo Barberini collected pictures and commissioned paintings that are now among the major works of Italian baroque.

The exhibition, the Museum Barberini’s first project focusing on the Old Masters, will highlight the themes and stylistic developments of baroque art in Rome. The Foundation Prussian Palaces and Gardens Berlin Brandenburg (SPSG) and the City of Potsdam along with the Museum Barberini are using the opportunity presented by the exhibition to celebrate Italian art and culture. An app designed as a walking tour of Potsdam’s Roman monuments will explore these works of art.

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Caravaggio, Narcissus, 1598/99. © Photo: Gallerie Nazionali di Arte Antica di Roma – Bibliotheca Hertziana, Istituto Max Planck per la storia dell’arte / Mauro Coen

Caravaggio, Narcissus, 1598/99. © Photo: Gallerie Nazionali di Arte Antica di Roma – Bibliotheca Hertziana, Istituto Max Planck per la storia dell’arte / Mauro Coen

The Museum Barberini will be presenting 54 masterpieces from the collections of the Palazzi Barberini and Corsini Rome, including one of Caravaggio’s most important works, his 1589/99 painting Narcissus. During his pontificate as Pope Urban VIII in the 17th century, Maffeo Barberini collected pictures and commissioned paintings that are now among the major works of Italian baroque.

The exhibition, the Museum Barberini’s first project focusing on the Old Masters, will highlight the themes and stylistic developments of baroque art in Rome. The Foundation Prussian Palaces and Gardens Berlin Brandenburg (SPSG) and the City of Potsdam along with the Museum Barberini are using the opportunity presented by the exhibition to celebrate Italian art and culture. An app designed as a walking tour of Potsdam’s Roman monuments will explore these works of art.

Caravaggio, Narcissus, 1598/99. © Photo: Gallerie Nazionali di Arte Antica di Roma – Bibliotheca Hertziana, Istituto Max Planck per la storia dell’arte / Mauro Coen

Caravaggio, Narcissus, 1598/99. © Photo: Gallerie Nazionali di Arte Antica di Roma – Bibliotheca Hertziana, Istituto Max Planck per la storia dell’arte / Mauro Coen

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Van Gogh: Still Lifes
October 26, 2019 to February 2, 2020

From his first paintings to the colorful flower images of his later career, Vincent van Gogh (1853–1890) repeatedly painted still lifes. In this genre, he could try out various media and alternatives – from depicting space using light and shadow to experiments with color. The first exhibition on this theme will present more than 20 paintings and use them to analyze the key stages in van Gogh’s life and work.

In cooperation with the Kröller-Müller Museum, Otterlo, and the Van Gogh Museum, Amsterdam. With loans from the Art Institute of Chicago, and the National Gallery of Art, Washington, D. C.

Vincent van Gogh: Still Life: Drawing Board, Pipe, Onions and Sealing-Wax, 1889, Collection Kröller-Müller Museum, Otterlo

Vincent van Gogh: Still Life: Drawing Board, Pipe, Onions and Sealing-Wax, 1889, Collection Kröller-Müller Museum, Otterlo

October 26, 2019 to February 2, 2020

From his first paintings to the colorful flower images of his later career, Vincent van Gogh (1853–1890) repeatedly painted still lifes. In this genre, he could try out various media and alternatives – from depicting space using light and shadow to experiments with color. The first exhibition on this theme will present more than 20 paintings and use them to analyze the key stages in van Gogh’s life and work.

In cooperation with the Kröller-Müller Museum, Otterlo, and the Van Gogh Museum, Amsterdam. With loans from the Art Institute of Chicago, and the National Gallery of Art, Washington, D. C.

Vincent van Gogh: Still Life: Drawing Board, Pipe, Onions and Sealing-Wax, 1889, Collection Kröller-Müller Museum, Otterlo

Vincent van Gogh: Still Life: Drawing Board, Pipe, Onions and Sealing-Wax, 1889, Collection Kröller-Müller Museum, Otterlo

Monet: Places
February 29, 2020 to June 01, 2020

For his landscape paintings, Claude Monet revisited the same places over and over again and completed extensive series of works from a single location. During his travels he created numerous paintings at the coast of Normandy, in Zaandam in the Netherlands or in London and Venice. He was not interested in picturesque landmarks but in the changing light and weather conditions and the different effects they had on these particular places.

He took pleasure in motifs such as parks, gardens, and waterlilies that surrounded him where he lived in Paris, Argenteuil, Vétheuil, and Giverny, using them to further his exploration of light and color. Organized in cooperation with the Denver Art Museum the exhibition will be shown in Denver under the title Claude Monet: The Truth of Nature from October 20, 2019 to February 2, 2020.

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Claude Monet: The Cliff and the Porte d'Aval, 1885, private collection

Claude Monet: The Cliff and the Porte d'Aval, 1885, private collection

February 29, 2020 to June 01, 2020

For his landscape paintings, Claude Monet revisited the same places over and over again and completed extensive series of works from a single location. During his travels he created numerous paintings at the coast of Normandy, in Zaandam in the Netherlands or in London and Venice. He was not interested in picturesque landmarks but in the changing light and weather conditions and the different effects they had on these particular places.

He took pleasure in motifs such as parks, gardens, and waterlilies that surrounded him where he lived in Paris, Argenteuil, Vétheuil, and Giverny, using them to further his exploration of light and color. Organized in cooperation with the Denver Art Museum the exhibition will be shown in Denver under the title Claude Monet: The Truth of Nature from October 20, 2019 to February 2, 2020.

Claude Monet: The Cliff and the Porte d'Aval, 1885, private collection

Claude Monet: The Cliff and the Porte d'Aval, 1885, private collection

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West Meets East in the Work of Rembrandt and his Dutch Contemporaries
June 27 until October 11, 2020

Trade with Asia, Africa and the Levant brought goods, books, manuscripts and knowledge to the Netherlands, which inspired Rembrandt and other Golden Age painters.

West Meets East in the Work of Rembrandt and his Dutch Contemporaries

An exhibition of the Museum Barberini, Potsdam, and the Kunstmuseum Basel

Rembrandt van Rijn and studio (possibly Govaert Flinck), Man in oriental traditional dress (detail), ca. 1635, National Gallery of Art, Washington, Andrew W. Mellon Collection

Rembrandt van Rijn and studio (possibly Govaert Flinck), Man in oriental traditional dress (detail), ca. 1635, National Gallery of Art, Washington, Andrew W. Mellon Collection

June 27 until October 11, 2020

Trade with Asia, Africa and the Levant brought goods, books, manuscripts and knowledge to the Netherlands, which inspired Rembrandt and other Golden Age painters.

West Meets East in the Work of Rembrandt and his Dutch Contemporaries

An exhibition of the Museum Barberini, Potsdam, and the Kunstmuseum Basel

Rembrandt van Rijn and studio (possibly Govaert Flinck), Man in oriental traditional dress (detail), ca. 1635, National Gallery of Art, Washington, Andrew W. Mellon Collection

Rembrandt van Rijn and studio (possibly Govaert Flinck), Man in oriental traditional dress (detail), ca. 1635, National Gallery of Art, Washington, Andrew W. Mellon Collection

Impressionism in Russia: Dawn of the Avant-Garde
November 7, 2020, until February 28, 2021

Many Russian artists were inspired by the painting techniques of the French impressionists. They painted en plein air and tried to capture the fleeting moment in their works. Other painters, who later became the avant-garde, developed their own new art from impressionist studies of light.

In collaboration with The State Tretyakov Gallery, Moscow

Ilja Repin, At the Boundary. Vera Repine is Walking about the Boundary with her Children, 1879, oil on canvas, The State Tretjakov Gallery, Moscow.

Ilja Repin, At the Boundary. Vera Repine is Walking about the Boundary with her Children, 1879, oil on canvas, The State Tretjakov Gallery, Moscow.

November 7, 2020, until February 28, 2021

Many Russian artists were inspired by the painting techniques of the French impressionists. They painted en plein air and tried to capture the fleeting moment in their works. Other painters, who later became the avant-garde, developed their own new art from impressionist studies of light.

In collaboration with The State Tretyakov Gallery, Moscow

Ilja Repin, At the Boundary. Vera Repine is Walking about the Boundary with her Children, 1879, oil on canvas, The State Tretjakov Gallery, Moscow.

Ilja Repin, At the Boundary. Vera Repine is Walking about the Boundary with her Children, 1879, oil on canvas, The State Tretjakov Gallery, Moscow.

Retrospect

2019

Emil Nolde: Flower Garden with Figures, 1908, private collection. © Nolde Stiftung Seebüll. Copyright Scan: Recom Art, Berlin

Henri-Edmond Cross, Der Strand von Saint-Claire, 1896, Privatbesitz

Aphrodite, Second half 2nd century CE. © Staatliche Kunstsammlungen Dresden, Sculpture Collection, Photo: H.-P. Klut / E. Estel

2018

Gerhard Richter: A B, Quiet (612-4), 1986, Museum Barberini © Gerhard Richter 2018 (29062018)

Pieter Henket, The Impossible Task, 2017/18

© Museum Barberini, Helge Mundt

Klaus Fußmann: Beveroe (Dance), 1982, private collection, Photo: Achim Kukulies, Düsseldorf

2017

Exhibition view "Behind the Mask: Artists in the GDR" at the Museum Barberini, Photo: Helge Mundt, © Museum Barberini

Exhibition view "From Hopper to Rothko: America's Road to Modern Art", Museum Barberini, Photo: Helge Mundt, © Museum Barberini / VG BILD-KUNST, Bonn 2017

Exhibition view "Impressionism. The Art of Landscape" with Claude Monet's Water Lilies, Museum Barberini, Photo: Helge Mundt, © Museum Barberini

Edvard Munch: Summer Night by the Beach, 1902/03, private collection